A ‘Bissel’ of Torah: MATOT-MASSEI (NUMBERS 30:2-36:13)

By Joy Scott, Am Haskalah Congregant   This week, we read a double parshiot, Matot-Massei, which comprises the finale of the Book of Numbers. The contents of these parshiot are remarkable for the discontinuity of the narrative, the paradoxical elements of God’s commandments, and incoherent directives and laws. The first of the parshiot, Matot, begins […]

A ‘Bissel’ of Torah: MATOT-MASSEI (NUMBERS 30:2-36:13)

By Joy Scott, Am Haskalah Congregant   This week, we read a double parshiot, Matot-Massei, which comprises the finale of the Book of Numbers. The contents of these parshiot are remarkable for the discontinuity of the narrative, the paradoxical elements of God’s commandments, and incoherent directives and laws. The first of the parshiot, Matot, begins […]

A ‘Bissel’ of Torah: MATOT-MASSEI (NUMBERS 30:2-36:13)

By Joy Scott, Am Haskalah Congregant   This week, we read a double parshiot, Matot-Massei, which comprises the finale of the Book of Numbers. The contents of these parshiot are remarkable for the discontinuity of the narrative, the paradoxical elements of God’s commandments, and incoherent directives and laws. The first of the parshiot, Matot, begins […]

A ‘Bissel’ of Torah: MATOT-MASSEI (NUMBERS 30:2-36:13)

By Joy Scott, Am Haskalah Congregant   This week, we read a double parshiot, Matot-Massei, which comprises the finale of the Book of Numbers. The contents of these parshiot are remarkable for the discontinuity of the narrative, the paradoxical elements of God’s commandments, and incoherent directives and laws. The first of the parshiot, Matot, begins […]

A ‘Bissel’ of Torah: MATOT-MASSEI (NUMBERS 30:2-36:13)

By Joy Scott, Am Haskalah Congregant   This week, we read a double parshiot, Matot-Massei, which comprises the finale of the Book of Numbers. The contents of these parshiot are remarkable for the discontinuity of the narrative, the paradoxical elements of God’s commandments, and incoherent directives and laws. The first of the parshiot, Matot, begins […]